Senior Spotlight: a series on our graduating students

I remember the religion classes I took sophomore year so vividly and having “Ah-Ha” moments almost every day. I felt almost like I had to become a religion major because studying religion makes me excited and engaged in ways no other subject can. 

– eli van buren ’21
Eli Van Buren ’21

Why did you major in Religion?

There’s nothing else I would want to struggle to understand more than the questions asked in the Rel department. I remember the religion classes I took sophomore year so vividly and having “Ah-Ha” moments almost every day. I felt almost like I had to become a religion major because studying religion makes me excited and engaged in ways no other subject can. 

Where do you imagine yourself in 10 years?

Oh yikes, my imagination is endless! In 10 years, I think I’ll be taking it easy – swimming and laughing somewhere nice. I’ll be fluent in Portuguese by then (of course!) and collaborating with other artists in meaningful ways.

I also hope to be much more articulate/confident and to be continuing to think critically no matter what I’m doing. 

Imagine a first-year student has asked your advice about REL courses. What’s the one she shouldn’t dream about missing? Why?

Religion Health and Healing! It completely changed the ways I understand the body, ritual, and socialization. Easily one of my favorite classes at UVM.

If you could write any book, what would it be?

It would be an interstellar pirate western full of space outlaws, political intrigue, and personal connection. I mean, it would be an allegory for something, but I haven’t worked that bit out yet – the absurdity of life, maybe. I love a healthy portion of humor in a narrative, but I would savor the serious moments so they could really hit home. It would the kind of book that fully immerses readers into the world it creates – with characters you hate to love and love to hate. I dunno, that’s the kind of book would want to read!

Any fond memories of 481 Main Street you want to share?

When I took Religion in Japan, Professor Borchert had optional movie showings on a few weekends over the semester – I remember being the only student to show up to watch Okuribito with him and it was just really chill and nice to hang out and eat popcorn while watching this movie on a cloudy afternoon.

And a million of my favorite conversations with Professor Brennan in her office.

And being surrounded by coffee and donuts on finals weeks.

You’re finishing up in the midst of the COVID-19 pandemic. Tell us something about that experience—bonus points for including religion or the Religion Department as a way to think about it!

It was absolutely terrible!

Senior Spotlight 2020: Caleb George-Hinnant

a series about our graduating seniors

“Frequently, I considered religion classes–alongside copious amounts of coffee–to be my incredible coping mechanism during the pursuit of a STEM degree.  But they were also so much more than that.  They revolutionized my ability to write and to critically analyze all institutions of knowledge and power.”

–Caleb George-Hinnant
Caleb George-Hinnant ’20

Why did you major in Religion?

I came to UVM as a biomedical engineering major.  After spending my first semester in engineering classes, I took Comparing Religions with Dr. Ilyse Morgenstein Fuerst to fulfill my diversity requirement.  This class convinced me to take more religion classes in tandem with a neuroscience degree which I had decided to transfer into.  

Although understanding the brain had been a long-term goal of mine, religion classes were almost a vacation away from the hard path of studying synapses and biological processes. Religion classes were simultaneously some of my most challenging, intellectually stimulating, and motivating experiences at UVM.  

Frequently, I considered religion classes–alongside copious amounts of coffee–to be my incredible coping mechanism during the pursuit of a STEM degree.  But they were also so much more than that.  They revolutionized my ability to write and to critically analyze all institutions of knowledge and power.  I wish I could write a long essay about why I majored in religion.  However, it dissolves to a love for writing, analyzing “what people do,” and having the opportunity to share that experience the brilliant minds at UVMREL.

Where do you imagine yourself in 10 years?

This is definitely the last question any senior feels prepared to answer.  First and foremost, alive.  Maybe there will be puppies?

Imagine a first-year student has asked your advice about REL courses. What’s the one she shouldn’t dream about missing? Why?

Take any and all of them.  More importantly than that, take classes that analyze issues of religion.  My two favorites were the two 200 level courses I took: African Gods/Western Museums and Religion, Nation, and State.  But more importantly, get more than one opinion, you’ll need to be comparing a lot of conflicting arguments at 481 Main.

If you could write any book, what would it be?

A good one.  I think I would really like to write about the brain, neuroplasticity, meditation, what people find meaningful, and how experience and self-reference shape the ways in which we believe ourselves to be “us.”  Or possibly a book of opinions.  Either way, I hope it helps somebody.

Any fond memories of 481 Main Street you want to share?

Snack times with Professor Borchert!  Often that class did not feel like a class, rather a riveting hour in which we uncovered the hidden nature of our topics. Also all of the (previous semesters’) Reading Days, during which students from various classes came together to share in snacks and stress for final projects in the seminar room.

COVID-19 Bonus Question! You’re finishing up in the midst of the COVID-19 pandemic. Tell us something about that experience!

In the midst of a global crisis, barreling down the train tracks of peril, while sipping tea of calming thoughts in our couches seated in our homely homes each six feet apart on the expressway riding the curve, we look to our captain, sure that the egomaniac who is so disconnected from reality might look the other way so we may have the opportunity to steer the course straight.

Writing about global drama, systems of power, political injustice, colonialism, the neurotypical tragedies of addiction, tribal mentalities, and existential meanings of truth has never been so much fun in my comfy pants.

There is no Capital “T” Truth: Traveling with Students Abroad

By Abra Clawson ‘19

Looking across at the Mihintale Buddha. All photos taken by the author.

“So, the other tour guide was wrong, then?” one of our students asked from the back of the group. The branches of an enormous Bodhi tree stretched above us, the fence around it decorated with strings of Buddhist flags. Located in Anuradhapura, the tree is said to be one of the oldest in the world. It was the first Bodhi tree in Sri Lanka, planted using a branch from the tree in present-day India under which the Buddha reached enlightenment. The colors of the flags woven through the fences and branches were the subject of our discussion.

Our guide had just finished explaining the significance of the flag. Each color represented a different quality of the Buddha, he told the class. In his description, yellow was for the Buddha’s robes, orange for skin, and white for purity. The day before, a different tour guide in Polonnaruwa told us that the colors signified body parts of the Buddha. There, it was blue for eyes, orange for gums, white for teeth and bones, and red for blood. These colors come together in a final stripe to represent the Buddha’s multicolored aura.

Both men had authority as Sri Lankans and as official tour guides, yet the answers they provided conveyed the complications of searching for a single, “true” Sri Lankan reality.

Questions about the colors of monks’ robes elicited similarly mixed responses. One man in a small village near Kandy told us the differences in color is due to a monk’s status, with the head monk in the village wearing maroon while lower-status monks were orange. Days later beneath the Bodhi tree in Anuradhapura, the class was told that monks are just given whatever robes are available, and that the colors do not mean anything beyond what resources are offered. His answer also implied that some colors were more expensive to produce than others.

Taken aback by the contrast in the multitudes of answers from guides and locals we had talked to, some students immediately sought to find and label one answer as the “correct” one. They were asking questions which should have simple, concrete answers. Or so it seemed. This assumption is ultimately what led to the comment that one of the other guides had given us incorrect information the day before.

Later in the evening, after leaving the Bodhi tree behind, we clambered back onto our bus in order to drive to Mihintale. About a half hour’s drive from Anuradhapura, Mihintale is known as the site where Buddhism first came to Sri Lanka.

 

We were met in the parking lot by a monk who would be our tour guide, and would later be referred to as “everyone’s favorite.” He told us he was a “liberal, open minded” monk, and that he would answer any and all questions candidly.

The students immediately took to his openness, asking questions about the history of Mihintale, his own path as a monk, and the workings of the monastery. As our conversation continued over tea, he challenged some of the assumptions that students brought with them, especially about how and why people become monks. In our guide’s case, he had asked his mother to allow him to join the monastic community when he was 12 years old, going against his family’s wishes.

From the beginning, one of the goals of the UVM travel study course “Travel Writing in Sri Lanka” was to convey the various realities of this South Asian country and its people. In a country that has been involved in a 30-year civil conflict which ended barely a decade ago, it is especially important to acknowledge the differing experiences and stories of people living there. In addition, this context asks us to question why we hear certain kinds of answers, and maybe don’t hear others. Which histories are promoted, and which are pushed to the side as less valid – less “Sri Lankan”?

Over the course of our two weeks in Sri Lanka, this theme of stories and capital “T” Truth kept coming up. This culminated at the International Buddhist Museum in Kandy. As the Teaching Assistant for the travel writing class, I welcomed the opportunity to explore the museum by myself for an hour or so, while our class was observing and writing about the Temple of the Tooth complex across the street. As a religion major, I was intrigued by what information would be offered in the museum, and how it would connect to classes I have taken back in Vermont.

The first four rooms of the museum are all designed to explain the history of Buddhism in Sri Lanka, and the significance of various sites around the country. After traveling through this detailed description of Sri Lankan Buddhism, the visitor is expelled into the main hall, from which you can continue through the ground floor through rooms with artifacts from India, Nepal, Bhutan, Bangladesh, Afghanistan, and Pakistan. Or, you can walk up the central staircase to rooms on Thailand, Vietnam, Myanmar, Indonesia, Laos, Cambodia, Malaysia, China, Tibet, Japan, and Korea. This format of the museum in some ways mirrors the spread of Buddhism, and is accompanied by maps showing exactly how the different forms travelled across the continent. What was most interesting to me about this museum was the message conveyed about Buddhism which worked to give further authority to Buddhism in Sri Lanka specifically.

Take, for example, the single room containing objects from Nepal. Of the 15 or so pictures and items on display, the majority were from Lumbini, the birthplace of the Buddha. The introductory panel to the room stated that Theravada monks in Nepal are the most respected, although they consist of a much smaller population than the Tibetan or “Lamaist” monks. The only artefacts related to forms of Buddhism found in the Himalayas were a picture of Swayambhunath stupa and a model of Boudhanath stupa, both of which are in the Kathmandu valley. This dynamic stuck out to me because Theravada Buddhism is what exists in Sri Lanka, and is highlighted in the museum as being most important Nepal, even though it is the minority of Buddhists there. Thus, the museum seemed to be primarily an exercise of nationalism, even as it taught visitors about Buddhism throughout the world.

Museums are spaces which are widely assumed to be secular, objective, and authoritative – or close to it. The International Buddhist Museum calls each of these qualities into question. Walking its halls, I once again found myself questioning how and why certain Sri Lankan realities become more legitimate or popularized than others. Sri Lankan organizations often promote a unified national identity, yet little attention is given to the minority Tamil population that is predominantly Hindu. It has become a recurring discourse of “oh, and also…” which can be seen everywhere from the nation’s constitution (in reference to language and religion) to the conversations of people on the street. Yet in reality there is no single “Sri Lankan” way of life. This was made clear to our class again and again, with every contradicting explanation and every person we met.

Looking back, Mihintale was a turning point at which many students began to realize that they would never find the one capital-t True answer to their questions, and that a more interesting project is to look at the nature of the conflicting responses. Perhaps it was the openness of our favorite Monk-tour guide that allowed them to begin to shed their obsession with objectivity and their grip on Western frames of thinking. Perhaps it was the beauty of the dagobas and mountains at sundown. Either way, we left Mihintale with our energy refocused towards seeking out and accepting difference and small “t” contextual truths.

Alumni Spotlight: Jillian Ward ’11

MIND, BODY AND SPIRIT*

If a university education is meant to build not just a career but a productive and meaningful life, Jillian Ward’s UVM experience provides a compelling example. A native of Woodbridge, Conn., Ward ’11 was interested in entering the helping professions and declared psychology as her UVM major. It wasn’t until her second semester that she took an introduction to Asian religions class. She liked it so much, she took a few more religion courses, including sections on African religion and Buddhism. After a while she realized she was accumulating enough credits to earn a double major.

“They were the best classes I ever took, so I just kept taking them. By the time I got to upper level classes, I felt this amazing sense of community shared by a small cohort of students and professors.”

When it came to deep discussions, developing ideas for a thesis project or getting advice on writing and other academic projects, it was mostly faculty in the religion department whom she turned to for guidance. “The department became a sort of a sanctuary for me,” she said.

After UVM, Ward graduated from the University of San Diego with a master’s degree in nursing, and now works as a trauma and neurology RN at Sharp Memorial Hospital in San Diego. The perspectives she gained in her religion courses at UVM, and her interest in yoga, have informed her holistic approach to healing. “I did yoga at UVM and enjoyed it. Then I did it more intensely as a way of dealing with the stress of graduate school. I received my certification as a RYT (registered yoga teacher) and teach part time at Core Power YogaI. Now I see yoga as a key part of providing care that treats the patient’s mind, body, and inner spirit.”

As she becomes grounded in her career, Ward is looking forward: “My goal is to work in palliative care and hospice nursing…One of the reasons why my experience in the religion department was so powerful was the passion the instructors—every one of them—had for the subject matter and for their students,” Ward recalls. “They showed me how important it is to find something to be passionate about.”

*In this series, we have pulled text from our newly relaunched website–we want to highlight our fantastic alumni in as many venues as possible!

Alumni Spotlight: Shakir Stephen ’15

INTELLECTUAL JOURNEY LEADS TO NYU*

Shakir Stephen was born in Montreal and grew up in Southeast London, and his intellectual journey reflects a broad set of interests and potential career paths. After working in as an academic coach in Burlington for three years after graduation, he is bound for New York University where he begins an M.A. program in religion.

Stephen was a talented science student, and his interests in high school seemed to lead him towards the STEM disciplines. “The educational system in the UK is different: the choices for undergraduate study are narrower, and you need to make a decision about your path for studies at a pretty young age, around 16.”

Stephen declared physics as his major upon entering UVM, but something was tugging him  towards the humanities. In his first year at UVM he took several liberal arts courses and found his home in the religion department.

“I took a course on the bible with Anne Clark and she really focused on writing, which I was OK at but because I was concentrating on the sciences I was a little rusty,” he recalls. “She emphasized how important writing was for success in college and beyond, and that really resonated with me.”

Stephen discovered that religion was an ideal prism that brought together perspectives from other disciplines that interested him, including history, philosophy,  sociology and anthropology. At the same time he developed critical thinking, reasoning, writing and presentation skills important for any post-graduate undertaking.

Stephen works as an academic coach at Mansfield Hall in Burlington, an organization offering academic support to college-aged students with learning differences and executive functioning challenges. “These are often high functioning people with executive challenges who need help building skills that set them up for success sin higher education,” Stephen explains.

The job draws on Stephen’s broad educational background, and he’s discovered that he’s a talented teacher. He sought out religion department members Kevin Trainor and Ilyse Morgenstein Fuerst for advice on graduate programs and he settled on NYU. He received a fellowship that covers tuition and fees for the two-year program.

“If it feels right I’d consider going on to get my PhD. Eventually I see myself in the education field in some capacity.”

See a post Shakir Stephen wrote before he left UVM for NYU!

*In this series, we have pulled text from our newly relaunched website–we want to highlight our fantastic alumni in as many venues as possible!

Alumni Spotlight: Kathryn Meader ’15

Skills for Success

When Marshfield, Mass., native Kathryn Meader began burrowing into her college search as a high school junior, one thing in particular about UVM stood out: The university’s first-year Integrated Humanities Program (now called the Liberal Arts Scholars Program, or LASP).

“I had already declared history as my major, and I was attracted by the idea of living and studying with 30 other students who shared my interests,” she said. “I felt like I had 30 new friends the moment I arrived on campus.”

LASP encourages students to wrestle with life’s big questions through an intensive multi-disciplinary approach. Students live in the same Living/Learning Center residence complex, so conversations in the classroom tend to spill over into meals, community activities and events throughout the year.

“We took three courses each semester—in English, History and Religion,” Meader explained. “Professor Sugarman, who was my teacher for fall semester religion course, told me ‘yeah, I think you are really a religion major at heart.’”

The twin majors gave her complementary perspectives on her interest in medieval Christianity, and her research on the twelfth-century abbess, Heloise d’Argenteuil.

The intensive emphasis on critical thinking, writing, and communication–she cites her involvement in the annual Student Research Conference as sharpening her presenting skills—began with her IHP experience and continued on throughout her UVM education. After graduating in 2015 with the religion department’s Outstanding Senior Award, she got a job as a development assistant at the UVM Foundation. She has since been promoted to assistant director of annual giving, and she credits her academic preparation as a key to her success.

“The anthropological reading you do in religion courses help you to consider perspectives outside your own experience,” she says. “ I think that training really helps me in my current work. In the writing that I do every day, it’s important to think about how the recipient is going to read it. This way of thinking also definitely helps me to tell other people’s stories in ways that are inspiring, and effective.”

*In this series, we have pulled text from our newly relaunched website–we want to highlight our fantastic alumni in as many venues as possible!

Alumni Spotlight: Simeon Marsalis ’13

GRAD PLUMBS UVM EXPERIENCE, HISTORY IN DEBUT NOVEL
– By Tom Weaver, Vermont Quarterly, Spring 2018

Simeon Marsalis arrived on the UVM campus in 2009 focused on playing varsity basketball. Though he stepped away from the game after his sophomore season, Marsalis stayed at the university to earn his degree in religion in 2013 and had the rare opportunity to sit among his fellow graduates for a commencement address from his own father, famed musician Wynton Marsalis. Post-graduation, Marsalis has lived in cultural capitals New York City and New Orleans, but Burlington’s hooks remained set within the creative center of his mind. Last year, Catapult Books published Marsalis’s first novel, As Lie Is To Grin, which follows a protagonist named David on a nonlinear journey from his home in New York City to the University of Vermont, and back again.

Between the writing required in his courses and the journaling and fiction he tackled in his free time, Marsalis was well on his way as a writer by the time he graduated. “My work with the Religion Department was essential to my growth as a writer,” he says.

photo: Chris Buck

Post-graduation, Marsalis has lived in cultural capitals New York City and New Orleans, but Burlington’s hooks remained set within the creative center of his mind. This past October, Catapult Books published Marsalis’s first novel, As Lie Is To Grin, which follows a protagonist named David on a nonlinear journey from his home in New York City to the University of Vermont, and back again.

After leaving Burlington, Marsalis found himself frequently returning to study the architecture on campus. The book includes beautifully detailed descriptions of some of UVM’s most notable buildings. Marsalis also spent many hours combing the university archives to research the school’s blemished racial past, which plays a central role in protagonist David’s character development.

“It is about a freshman in college who questions the reasons why he has arrived at that particular university,” the author says, discussing the book’s plot. “He begins to research his own reasons for attending that university, and discovers an alumni ritual with a deeply personal resonance. The campus itself is its own character within the novel. I couldn’t have written this novel if I had not gone to UVM.”

Marsalis’s family roots, surrounded by musical artists, helped instill the confidence and work ethic to pursue a career in writing. “Watching my father and grandfather and uncles all those years allowed me to see the amount of work it takes to make it as an artist,” he says. “It helped me see art not as an abstract pursuit, but as an approachable entity. I had a very real connection to the amount of time it takes to hone an art. I didn’t see it as something that was foreign and unapproachable. I saw it as a distinct language that you had to learn, but once you learn that language, that’s where the freedom and play comes in.”

Spending weekends at his father’s house growing up, Marsalis also saw the amount of work required to make a living off of one’s art. “My father practices obsessively, it was all day,” says Marsalis. “There was always something to work on, whether it be the next piece, refining an old piece, or anything else. As an artist, it can be maddening because there is something you could be working on literally every second of the day. Seeing him and that work ethic, it originally really had an impact on the way I played basketball, because it made me see my goals in that sport as an attainable thing that had to do with work more so than something esoteric like talent or luck. More recently, I place my belief in work and work ethic as a way to develop my writing talent and to cultivate some of my own luck as an artist.”

Between the writing required in his courses and the journaling and fiction he tackled in his free time, Marsalis was well on his way as a writer by the time he graduated. “My work with the Religion Department was essential to my growth as a writer,” he says.

Since the book’s release, Marsalis has traveled widely—Seattle to Austin to Boston and many points between—to promote his novel at readings and festivals. The book has been well-received and got a cover-blurb boost from noted UVM poet/professor Major Jackson. “There are so many people at UVM who have been a big help to me,” says Marsalis. “Obviously Major Jackson, but also Sean Witters and so many people from the Religion Department, like Vicki Brennan and Kevin Trainor.”

Alumni Spotlight: Thomas Mackell ’18

Learning that is Deep and Collaborative*

“At UVM I was studying philosophy at first, which lacked a direct confrontation with a lot of social justice and political issues that religion classes offer, so I added religion as another major. I was exposed to works like Tomoko Masuzawa’s The Invention of World Religions and Saba Mahmood’s Agency, Performativity, and the Feminist Subject, two of the best things I’ve read for any class . . .

“One of the most rewarding experiences at UVM was the work I did as part of professor Vicki Brennan’s classes, which resulted in a museum exhibit ‘Spirited Things‘ held in the fall of 2017. The exhibit included sacred objects from the Yoruba religion of West Africa, and other offshoots of Yoruba in the Americas developed by enslaved Africans who blended their spiritual practices with those of their captors. First, I took a religion seminar in the spring prior to the exhibit where we did a lot of research to prepare for the exhibit. In the fall I took another course concentrating on ethnography of museum visitors who were largely unfamiliar with these religions. The context of a Western museum typically implies that these objects must be very old and come from faraway places–therefore they are usually exhibited mainly for their value as natural history. However, in ‘Spirited Things’ many of the objects came from the contemporary Afro-Atlantic diaspora including cities like L.A. and New York. These objects were imbued with power and meaning for ritual purposes, and revered in their own right . . .

“A small statue of the Afro-Cuban goddess Yemayá, manufactured in China in 2014 and picked up by Matory in a Los Angeles botanica, served as the inspiration for independent research.For me it inspired an independent study centering around one of the objects in the exhibit, a statue of Yemaya. I ended up publishing a paper ‘Yemayá on Display: Post-Colonial Contact Zones in the Museum,’ and made a presentation at a spring symposium.”

–Thomas Mackell ’18

*In this series, we have pulled text from our newly relaunched website–we want to highlight our fantastic alumni in as many venues as possible!

Senior Spotlight 2018: Lydia Marchese

Lydia Marchese ’18 in the Spotlight:
a series about our graduating seniors


Why did you major in Religion?

Lydia Marchese ’18 & Abby the Labby (not graduating)

I majored in religion because the subject has always intrigued me, I identify as a religious person, and I intend to continue my religious education with seminary in my post-graduation career.

Where do you imagine yourself in 10 years?

Hopefully, in 10 years, I will be an ordained Deacon (or at least on track to become ordained) in the United Methodist Church, serving in either the New England or Chicago conference. Deacons wear a variety of hats and can work in many settings, but I am particularly interested in pastoral counseling and the intersections of faith and mental health.

Imagine a first-year student has asked your advice about REL courses. What’s the one she shouldn’t dream about missing? Why?

This is perhaps the most difficult question on the list! I think if I had to recommend just one course that she absolutely could not miss out on, it would have to be Religion, Race & Ethnicity in America. Learning how ingrained religion is in our nation’s history and current events is indispensable for today’s citizens. Furthermore, learning about the intersections that race and ethnicity hold with religion, especially in the United States, is both fascinating and incredibly important to learn about considering our country’s current social and political climate.

If you could write any book, what would it be?

I would love to write a book about being a Christian feminist and the different ways in which the two identities clash or cooperate with each other.

Any fond memories of 481 Main Street you want to share?

When the Religion Club was still in action, we had some lovely meetings and get togethers there. But when I think about times in 481 Main, no specific memories crop up, but rather feelings: feelings of support, honesty, and genuine caring for each other. The religion department really cares and supports their students in a unique way that other departments simply don’t.

Senior Spotlight: Rebecca Friedlander ’17

Rebecca Friedlander in the Senior Spotlight:
a series on our graduating seniors


Why did you major in Religion?

Rebecca Friedlander, ’17

I majored in religion because I took a world religions class in high school and realized how much I didn’t know. I really wanted to learn about new places and new people and I was already planning on majoring in anthropology so religion seemed like a good second major to really give me a broad world view.

Where do you imagine yourself in 10 years?

In ten years I’ve hopefully completed a masters and maybe even further schooling but I’m keeping my options open right now. Currently I’m thinking about graduate school in archaeology but I’m taking a year off to work and really get a plan together.

Imagine a first-year student has asked your advice about REL courses. What’s the one she shouldn’t dream about missing? Why?

I would definitely say take at least one class with every professor if you can and don’t miss out on office hours. That’s one thing I wish I had done more of when I was in college because the few times I went it was super helpful and it’s amazing how much you can learn outside of the classroom when you’re just having a conversation and how much you can improve your own work and your life.

If you could write any book, what would it be?

I’m reading a lot of dystopia right now so if I could write a book it’d probably be something along those lines. I really like novels that look at how simultaneously expansive and small the world really is in terms of how much everything is connected and impacts everything else but also how much the world contains. So I guess it would have characters vastly different from one another but that have intertwining storylines.