These are further notes on Chapter 6 of EMI…
1. Trauma and the eco-image
One of the themes of this chapter is the connection between films about ecological disaster — real, imagined, or potential (future disaster) — and films about other forms of cultural or historical trauma.
How can film represent traumatic events? What if the trauma is as fundamental and collective as the end of the conditions of life as we know it, which is what happens in devastating disasters? What if the events have not yet taken place, but are only imagined as a possibility on the horizon? Read more »
The second week of the animality and “biomorphism” chapter (chapter 5) moved us into an exploration of human-animal interactions and human “becomings-animal.” A screening of Werner Herzog’s “Grizzly Man” (discussed extensively in the chapter) was supplemented by bits and pieces from “Wild Parrots of Telegraph Hill,” Robinson Devor’s unusual documentary “Zoo” (which you can watch in full here), and several others.
Now we move into the home stretch of the course. Chapter 6 is intended as the culmination of the book’s several strands, so it would be useful to recap things as we move into it. The first section of the chapter does just that for the main theoretical apparatus of the book (notably, the three “morphisms” and the three moments of the film experience). Beyond that, however, are the various mappings provided in the preceding three chapters.