Universal Design for Learning (UDL) is an educational framework, based in cognitive neuroscience, that encourages the design of flexible learning environments to accommodate a variety of learning styles and differences. This post focuses on one of the three core principles in UDL: multiple means of representation.

This means moving beyond textual representation by presenting information and conceptual knowledge to students in a variety of formats, e.g., images, video, and audio. Not only does research indicate that this practice can enhance student understanding and retention of course content, it can also be used to engage students and prime discussion. Students responding to an image, song or movie clip can spark reflection and debate. 

Effective use of multimedia in your teaching is non-trivial. It takes time to find the right image or clip and prepare it so that is accessible and available to all students. Fortunately, UVM has some resources to help you every step of the way.

Step 1: Finding Multimedia

There are so many sources of multimedia, and so little time. To help you get started, CTL has collected a list of websites where you can find images and videos film strip of flower applicable to many disciplines. Check out this link for information about copyright, fair use, and using multimedia in your courses, as well.

Additionally, Bailey/Howe Library has several new, searchable databases for streaming media that provides access to licensed documentaries with relevance across the curriculum.  Features for some of these databases include synchronized, searchable transcripts, editing capabilities to make video clips, and an embeddable video player that can be used in Blackboard courses. 

Step 2: Making Multimedia Accessible

Multimedia used in class or on the web needs to be ADA compliant. Video/audio content needs to be captioned. Captioning not only benefits the deaf or hard of hearing student, but can also benefit students for whom English is a second language, and individuals with learning disabilities (hearing and reading at the same time can improve comprehension). For information regarding captioning services on campus, please see the ACCESS offices captioning website.

Images on the web also need to be accessible and take into consideration not only people with blindness, but also those low vision, color-blindness, or cognitive disabilities. For a comprehensive discussion on effective and appropriate use of images to facilitate comprehension, see Creating Accessible Images on the WebAIM website.

Step 3: Making Multimedia Available on the Web

If you want students to access your own audio/video content on the web, or if the content falls within Fair Use copyright guidelines, use the UVM Media Manager tool to upload the files to your UVM server space, also known as your “zoo space.” The Media Manager makes it simple to share your media by broadcasting it, linking to it, or embedding it on a webpage such as a Blackboard course page. See Media Manager directions here.

Another way to add media to your Blackboard (Bb) course is to use the Bb “MashUp” tool. This tool allows you to search YouTube, Flickr, and SlideShare (a site for viewing and sharing PowerPoint-like presentations), select content, and then embed this content directly into your Bb course. While the media content resides on their respective websites, students view the media content without ever leaving the Bb course. View this tutorial on the Bb MashUp tool

Interested in Learning More?

For more information about the Filmmakers Library Online, attend the upcoming CTL Sound (Teaching) Bite on “Teaching with Streaming Media” facilitated by Daisy Benson of the B/H Library, on October 9, 12:00 – 1:00 pm. Visit this page for information and to register.

For more information about the Media Manager, attend the upcoming CTL Sound (Teaching) Bite, “From DVD to Blackboard” on October 3, 12:00- 1:00 pm. Visit this page for information and to register.

The iClicker is one of many types of student response systems and, at the University of Vermont, we have adopted the iClicker as our preferred version of a student response system. We are in the process of installing iClicker base stations in many classrooms on campus that have 50+ seat capacity.

What does this mean for learning on campus?

And what does it have to do with Universal Design for Learning (UDL)?

Universal Design for Learning is an instructional framework based on the neuroscience of learning and universal design in architecture. Many times when designing with the three UDL principles: 1. Provide Multiple Means of Representation, 2. Provide Multiple Means of Action and Expression 3. Provide Multiple Means of Engagement, faculty ask me to give some examples of what they can do for each of these principles. I thought I would focus on the iClicker technology to help with each of these UDL design principles.

When using the iClicker and thinking about the first UDL Principle of Representation, you could think about how you can ask questions of the students during lecture that would help students using iClickers in retro cartoon style engage their prior knowledge of the relevant material that you are presenting to them. Also, you can highlight critical parts of the lecture and key ideas with iClicker polls in lecture.

For the second UDL Principle of Action and Expression, the iClicker can be used as an alternate way for students to express what they know so far during the class, and what they still have questions about. As the faculty member it is up to you to create some polling questions that will give students a chance to test their knowledge level of a topic, and also a feeling to interaction with the content and other people in the class. Polling in large courses allows students to see where they are in their own understanding of a topic in relation to their peers. This can be important for helping the students monitor their own learning progress. (Of course the instructor has to let the students see the polling results in order for this to be helpful.)

Lastly, the third UDL Principle of Engagement is what the iClicker is supposed to provide between students and the course content, and, when possible, with each other. The iClicker can be used to poll students on questions that provoke discussion in larger course environments, among pairs and small groups of students. The engagement with students to their peers can be done by doing a poll, then asking students to talk to their peer/s next to them to convince them of their answers. Then the poll is run again to see if the class results change to favor the correct answer. Many faculty tell me this is a great learning tool and that students like having the chance to talk to each other in larger classes. This is also a form of peer instruction.

If you’d like to learn more about iClickers, join us at the CTL for these events
(click the link to read more and register):

For my first post to the CTL blog, I wanted to share some resources with the larger UVM community as a follow-up to my Sound (Teaching) Bite this week that offered a few strategies and tools for educators to help students assess their own learning styles and abilities to read, comprehend, understand, and learn course materials.

soundbite image

The focus on getting students in gear for learning is really about preparing students to become their own active learning agents—accountable for and engaged in the process of learning.

As with creating courses, the course objectives are the first step. Before we go there, here are some guiding questions I shared to help with this discussion:

  1. How do you know if your students are understanding, comprehending, and learning their course reading material?
  2. How do you get your students to do the readings?
  3. How do you know your students are learning and absorbing content? 
    Guess what? They may not know either!
  4. How do I help students be accountable for their learning process? I propose that with consistent assessment and evaluation deeper learning can happen.

So how do we do this? Remember, as mentioned above: 

Evaluation needs to connect to learning objectives.

As you start this process, ask yourself, why are you evaluating? 

To make sure that students prepare for classroom discussion? (formative)

To prepare students to succeed on class exams? (summative)

Here are a few tools for evaluating student learning: 

  • Anonymous quizzes for “just in time teaching” (JiTT) – formative assessment
  • Readiness assessment tests (RATs) or online mid-semester and end-of-year survey (ungraded) – formative assessment
  • Pre- and Post- exams (graded) – formative and summative assessment
  • Using iClickers in the classroom – formative assessment

Examples and resources for preparing students to succeed and help them get to know their learning process:

Reader’s Guide
http://www.facultyfocus.com/wp-content/uploads/images/readers-guide.pdf
Developed by Tiffany F. Culver, PhD this reading guide is a great tool that you can adapt and give to students as a helpful roadmap to help them figure out what they are reading. It is broken down into 3 parts: Planning (preparing students to focus), Reading (how to read – techniques to help with retention), and Evaluate (promoting critical thinking). This 1 page guide (2 sided) is helpful to all students and makes reading accessible and efficient. It also makes me wish I had something like this when I was in college! 

Reading Strategies
http://www.mindtools.com/rdstratg.html
In this blog post, MindTools authors provide helpful tips and resources for pulling out the important information when reading (including info on mind-mapping for active reading). What I like about this post is that it breaks down the process of “Reading Efficiently by Reading Intelligently” and looks at how the technique for reading efficiently changes based on the type of material that is being studied and provides tips along the way.

Using Reading Prompts to Encourage Critical Thinking
http://www.facultyfocus.com/articles/effective-teaching-strategies/using-reading-prompts-to-encourage-critical-thinking/
In this article on Faculty Focus, Maryellen Weimer, PhD reviews highlights from Terry Tomasek’s book, The Teaching Professor and takes a look at  using reading prompts to help students read and write more critically. The prompts in the book are organized into six categories to assist students connect to and analyze what they are reading. Here are the categories: Identification of problem or issue, Making connections, Interpretation of evidence, Challenging assumptions, Making application and Mechanics.  

Making the Review of Assigned Reading Meaningful 
http://www.facultyfocus.com/articles/effective-teaching-strategies/making-the-review-of-assigned-reading-meaningful/
In this article, Sarah K Clark, PHD gives us 4 strategies to promote meaning making when reviewing assigned readings both in the classroom and at home. I really appreciate her candid writing about the importance of engaging students, especially when it comes to assigned readings. Sarah shares techniques and ideas that have been helpful to her in her class: The Top Ten, Secondary Sources, Journaling, and Divide and Conquer (for larger size classes)

Key Terms: Assessment
http://blog.bokcenter.harvard.edu/2012/02/08/key-terms-assessment/
In this blog post from the Bok Center at Harvard University, assessment is highlighted and examined in reference to student learning. This post offers some assessment-related tips to get you started in measuring student learning.
Here is another from the Bok blog that speaks directly to the question “How Do We Measure [Student] Learning?”
http://blog.bokcenter.harvard.edu/2012/03/05/how-do-we-measure-learning/

Authentic Learning
http://net.educause.edu/ir/library/pdf/ELI3019.pdf
Marilyn M. Lombardi talks about the important role of assessment in relation to successful teaching and learning in this EduCause Learning Initiative paper – Making the Grade: The Role of Assessment in Authentic Learning.
Here is a clip from the abstract that captures the heart of this paper, “Educators who strive to bring authentic learning experiences to their students must devise appropriate and meaningful measures to assess student learning and mastery of concepts at hand.” 

More information about Assessment—Formative and Summative by Richard Swearingen at Heritage University, take a look at
http://slackernet.org/assessment.htm

*Don’t forget about the
Writing Center at UVM
http://www.uvm.edu/wid/writingcenter/, and the
UVM Learning Co-op in L/L
http://www.uvm.edu/learnco/
These are helpful resources on campus to share with your students to help enhance their writing skills and to get assistance with studying. 

By providing students the tools and resources to guide their learning, they can begin to assess their own process, making themselves active agents in their own learning process. Which in-turn helps students by giving them a sense of what skills they may need support to strengthen in order to succeed. 

Next Steps:

If you would like to sit with a member of the CTL to talk about ways to use these tools to assess your students, request an appointment by emailing ctldoc@uvm.edu. If you would like to contact me (Henrie Menzies) directly, send me a note at hmenzies@uvm.edu

In short, one of the principles of Universal Design for Learning is that if you offer students multiple options for exploring content and expressing what they’ve learned, their experience is richer and Google Earth Placemark Examplemore meaningful—and this gives their learning “sticking power.”

Google Earth is a free, easy to learn tool and absorbingly fun! It’s an exciting option for immersive learning because students can delve into a topic and show their knowledge (and comprehension and analysis) through writing and/or other means while simultaneously building geospatial and technical fluency.

What can students do in Google Earth? They can explore a 3D model of the earth, turn numerous data layers on and off, and zoom in close—in many places to an on-the-street, photographic, 360° view of a place. Most importantly, they can create their own map views in which they placemark physical locations and into each placemark they can:

  • add their own written work
  • include excerpts from texts
  • embed imagery, video, and audio from a website
  • include links to sources

If desired, the placemarks can be gathered into an animated tour. Finally, they can save their maps and upload them to Blackboard for assessment or to share with the class.

The project possibilities are nearly limitless, but here are just a few ideas:

  1. In English or foreign language classes, students can explore a literary work, an author’s life or journey, or create a place-based, illustrated, poetry anthology. Example assignments might be to map 10 places from John Steinbeck’s Travels with Charley, or trace Virginia Woolf’s Mrs. Dalloway’s walk through London, include analysis or reflection of text excerpts and historical photos in each placemark. Include web-sourced audio files where possible, such as the sound of a passing train or Big Ben chiming in London.
  2. In history classes, students can map events or parts of events, such as wars, diasporas, revolutions, or a single person’s lifetime. An example would be to map one Civil War regiment’s movements and battles. Embed both historic and contemporary photos of the battlegrounds and include excerpts of accounts from properly cited sources.
  3. In fine art classes, students can search for compelling views of the planet on which to base works of art. They can capture and print their chosen sources from Google Earth and then submit these with the finished project. Examples might be to create a study of abandoned cities or densely populated areas, or the dynamism of a river, e.g., meanders or alluvial fans, or environmental contrasts or perils.

Interested in learning more?

Attend the CTL workshop on September 25th co-taught by Walter Poleman (RSENR) and Inés Berrizbeitia (CTL).

Contact ines.berrizbeitia@uvm.edu for questions about how the CTL may be able to help you develop an assignment, teach Google Earth to your students, and work with you to develop a rubric for assessing the assignment.

For a variety of resources and a link to download Google Earth, see this page in the CTL Website’s “Teaching Resources” area.

Tip #1: Learn names. Jonathan Leonard (CDAE) makes the effort to learn every student’s name, even in classes with over 150 students! What’s his strategy? On the class roster page he displays the students’ photos and, while studying each face, he speaks their names aloud. Over and over. And over. Occasionally he shifts the page arrangement—by changing the row settings to, for instance, three across instead of five—and he keeps testing himself. He admits that it takes several practice sessions, but he claims the effort is well worth it. Students are astonished when he greets them by first name! A large class it may be, but an indistinct mass of anonymous faces it is not. Individuals are being recognized and this, he says, changes the whole game.

(By the way, Jonathan isn’t the only one to stress the value of learning names. Every year when the CTL holds a panel discussion with the latest winners illustration of a classroom centuries agoof the Kroepsch-Maurice Excellence in Teaching Award, at least one of the panelists mentions that this practice is vital to their teaching style.)

Tip #2: Get students talking. Sheila Boland-Chira (English) recommends the turn and talk method in any class, but particularly on the first day when anxiety may be running a little high. She asks an evocative question related to the course topic and invites students to turn to their neighbors and talk about it. After a few minutes, she invites volunteers to share their thoughts with the whole group. Not only does the lively buzz change the atmosphere in the room, doing this on the first day lets students know that the class is participatory and that they are going to be challenged to think.

Tip #3 Make personal connections. Char Merhtens (Geology) asks students to come to her office and meet with her individually during the first week or two of the semester, just to say hi and chat for a few minutes. However, because there are 200+ students in one of her classes, visiting with everyone isn’t practicable, so she invites only the first-years and seniors, the two groups she feels would most benefit from this (although, for completely different reasons). Char says that this simple social gesture has paid off in countless ways and many students go out of their way to thank her.

Tip #4: It’s standard practice to review the syllabus on the first day of class, but a few faculty offered tips to make this ritual more meaningful:

  • Before the first class meets, contemplate your schedule again and identify the overarching themes. When you review the syllabus on the first day, share this 10,000-foot view with your students and talk about how the key themes are woven throughout the schedule. This overview provides not only a conceptual map of the course, but a rationale for the work you are going to be asking them to do.
  • Make the syllabus review more engaging by including interesting visual elements, e.g., drawings, concept maps, or a humorous cartoon. Consider playing music.
  • Use Blackboard’s test tool to create a short quiz about the syllabus with multiple-choice type questions (so Blackboard will do the grading for you) and make it a mandatory assignment by the second day of class. Doing this gets them to delve deeper into the syllabus and you can review the stats in Blackboard before the next class, so you can touch upon any murky areas.

Tip #5: Finally, convey enthusiasm! J. Dickinson (Anthropology) offered what might be the most important tip for the first class and every class: that it’s crucial to communicate your excitement about what you teach. Even if you’re not teaching your dream course, you should be able to muster enthusiasm for it. Foundational or introductory-level courses are exciting when you consider the potential for learning and that you just may spark an interest that has a formative effect on someone’s life. Genuine enthusiasm can be infectious.

iPads are continuing on pace in terms of the adoption curve. Though technology adoption is not as simple as first adopters/second adopters/third and so on, there are some definite patterns that seem to recur with depressing regularity.

Glossing over complexities, it seems that first adopters try a new technology because it’s new and by doing so gain experience in the possibilities. Second adopters try it because they think they should, but are disappointed when it doesn’t do things in exactly the same way that they are used to or doesn’t exactly replace a tool that they use regularly. (One might argue that that lack of exact duplication is the point of a new technology.) That group either drops it, decries it, or decides to wait and see where it will go.

In the next phase, the technology picks up a few new adopters who combine with the first adopters to create new uses, or even new paradigms of use, that end up controlling the direction of a particular technology.  Third adopters take whatever the outcome is and run with it. The second adopters, who could have had lots of interesting ideas, often kick themselves for not having any input.

Shades of some of this are evident in two posts from today’s Higher Education Chronicle, one by Robert Talbert describing some of the currently perceived limitations of using iPads in education (“My three weeks with an iPad“). The second is by Nick DeSantis on the LectureTools app, originally developed by Perry Samson (“Professor’s Classroom iPad App Debuts at Consumer Electronics Show“). Favorite sentence in the latter article? “The goal, Mr. Samson said, is to occupy the devices students typically use to drift away from the learning environment.” Precisely!

Meanwhile, the rumor mills are buzzing about Apple’s January 19 event on publishing and eBooks, apparently targeting the publishing industry. Speculation includes an iPublishing app or channel, a TextBook app, undercutting Amazon and Barnes & Noble with some new iBook format that synchronizes across devices, an iBook lending library, updates to Pages for even easier eBook publishing, or something more specific like a deal to supply iPads and eTextbooks to a particular university or NYC school district? We’ll find out soon enough. Watch your Apple news outlet or post your favorite Apple event feed to “Ripe for Destruction” so we can all tune in.

We’ll be connecting to this webinar in Bailey/Howe 303 Friday at 4:00, so come by if you would like to participate:

Digital Scholarship and Liberal Arts Colleges

Digital technologies and the Internet have changed the context for inquiry and pedagogy, forcing the production and exchange of knowledge into an increasingly public, global, collaborative, and networked space, and increasing capacity to tackle complex questions across disciplines. In 2010 Hamilton College, Occidental College, Wheaton College, and Willamette University partnered with NITLE to create the “Digital Scholarship Seminars” to explore the implications of those changes on scholarship and teaching at small liberal liberal arts colleges.  This series uses interactive discussions to showcase digital scholarship projects and other undertakings across or open to liberal arts colleges.  A year later, the seminar program committee will lead an open discussion on the state of digital scholarship at their institutions and at liberal arts colleges in general, as well as sharing their practical experiences is pursuing and supporting digital scholarship projects. 

Discussion leaders will be Janet Simons, Associate Director of Instructional Technology, Co-Director, Digital Humanities Initiative (DHi), Hamilton College; Daniel Chamberlain, Director, Center for Digital Learning and Research, Occidental College; Timothy Burke, Professor of History, Swarthmore College; Robert Nelson, Director, Digital Scholarship Lab, University of Richmond; and Michael Spalti, Head of Library Systems Division, Willamette University.

Questions to be addressed include:

  • What do digital scholarship and the digital humanities mean for small liberal arts colleges?
  • What opportunities and challenges are there for digital scholarship for liberal arts colleges?
  • How does digital scholarship connect to the undergraduate curriculum?
  • How can institutions facilitate collaboration between faculty, technologists and librarians?
  • What are strategies to cope with limited resources on liberal arts campuses?
  • How can you get started in digital scholarship?

More information about NITLE is available at: http://www.nitle.org

Disability Awareness Month: ACCESS Office Open House
Friday, October 28, 2:00-4:00 pm
A-170 Living Learning Center

ACCESS will host an open house (drop-in) for faculty and staff. The director, specialists and other ACCESS support staff will be available to have sit down, individualized meetings or informal chats about our topics such as services, instructional implementation and accommodations, the Americans with Disabilities Act and Higher Education, and working with students with disabilities. Light refreshments will be available.—

For more information call 656-7753

“Which ebook app should I buy for my iPad?”

I was recently asked to recommend an ebook reader app for a new iPad owner. At first this seems like a difficult choice: are the features of the iPad’s own iBooks that much better than those of the Kindle or Nook apps? Are there less well-known apps that have features not available in the others? I decided there was only one sensible choice: get them all!

Though ebooks have been available for four decades, and dedicated ereader devices for at least half that time, this new form of books and readers continues to evolve. A 2002 article in The Guardian traced the history of ebooks from the development from Michael Hart’s “Project Gutenberg” begun in 1971 through various developments in both books and reading devices, concluding with a quote from Time-Warner that “the market for ebooks has simply not developed the way we hoped.”

So much for prescience. Ten years later we have a cornocopia of ebooks, ereaders, reading apps, and publishers vying to create “the next big thing.”

Meanwhile, here are the apps I have on my iPad now. You can find them all in the iPad Apps store. No doubt there will be more to come:

ibooks iconiBooks
With the iPad’s built-in ebook reader, iBooks, you can purchase and read books direct from Apple, or upload your own ebooks and pdf files. PDF files can be resized as you are reading, to zoom into or out of specific areas on the page. This reader provides 8 font sizes, 7 different font types, a sepia or white background, brightness adjustment, search function and a built-in dictionary. As with other apps, tapping on the edge of any page will turn the page forward or backward, while tapping in the middle of the screen brings up menus and options. Like the Kindle, you can highlight and add notes but iBook goes one better: you can also select and copy text to paste into other apps like Pages. You can even email all your notes to yourself or others.

Buying books is as easy as tapping the Store button, then selecting from free or pay books. The free collection is sizeable, including the usual classics as well as a selection of more recent works. iBooks is updated frequently, so more features will no doubt be added. The FAQ/support page is particularly useful.

kindle icon Kindle
I had a Kindle device before the iPad so I had already purchased many books in this format. I still do because of the selection and because I can sync all my Kindle books across the Kindle, the iPad, and my laptop to read them on any of those devices. It will keep track of where I am in the book so that when I move from one device to another I can pick it up wherever I left off. The Kindle app lets you choose from among 6 font sizes, 3 background colors (white, black, sepia) and one- or two-column format. As with the Kindle device, you will see your location in the book by percentage and by page number. However, this page numbering is dependent on the size font you are using, i.e. if you change to a larger or smaller font, the total page numbers, thus your current page number, will change. You can search, look up words in the built-in dictionary, add bookmarks, add notes, highlight and even see the most popular highlights created by others. Your notes and highlights remain in the book, i.e. you cannot copy and paste them elsewhere. Details on these and other features can be found on the Kindle app page.

nook image Nook
Like the others, Nook has a choice of font sizes (5), font type (5), and colors (5 themes). The themes include ”Earl Grey” that closely approximates the eInk reading experience you would get on a dedicated device. In addition, it allows you to set the line spacing (keep the font size the same but add more space between lines), the margin size (4 choices), and even has a Full Justification switch so you can read with a ragged or straight right margin. The built-in dictionary is similar to iBooks’ and Kindle’s while the bookmarks and highlights are, like the Kindle, limited to use in the Nook app itself. So, while the reading experience is good on the Nook app, the lack of a copy feature and its inability to import your own content–ebooks or pdfs, is definitely a limitation.

kobo image Kobo
The Kobo device, most recently the Kobo eReader Touch, is one of the big four, Kindle, Nook and the SONY Reader being the other three. Kobo app has features similar to the other readers (4 fonts, brightness, sepia background), more free books, pay books, and the ability to connect to the Instapaper service which allows you to capture and save web pages for later reading. You can highlight and annotate, and send those annotations by email or to Facebook. In fact, here is where Kobo is staking its claim: It has a friends feature that lets you share information about your library and reading with your Facebook friends or Twitter followers (not share the actual books–just share the list of what you are reading, along with the ability to send notes from inside Kobo or share a passage). It can also keep stats on your total time reading, average hours per book, minutes per book page or magazine page, etc. Kobo, the device, along with Nook, are configured to allow for borrowing books from public libraries. The app does not yet have that feature but I expect it will at some point. (For now, if you want to borrow ebooks from your local libary, check out Overdrive, described below.) Like the Kindle and Nook your books are stored in Kobo’s cloud, so you have access to all your books from multiple devices. Kobo also adds one handy feature that the others don’t yet have: multi-touch gestures. Two finger swiping from side to side will jump you to the next chapter; two finger up and down will take you to the beginning or end of the current chapter.

stanza image Stanza
Before the ereader device idea was, dare I say it, rekindled, Stanza existed as a PC or Mac application to read and create ebooks in multiple formats. It is designed to make it easy to share books across the iPad, iPhone, or iPod devices. The iPad app takes advantage of Stanza’s established history by making it easy to tap into several book sources, both free and pay. For example, it will connect directly to Project Gutenberg books (33,000 books and counting–all free), as well as Feedbooks (more free books, newspapers and original content), Munseys (pulp fiction), Harlequin, Fictionwise, Books On Board, BookGlutton, Smashwords, and even sheet music from Mutopia.

Stanza is strongest in the area of reading a variety of legacy ebook or digital formats like Mobipocket, PalmDoc (DOC), along with HTML, PDF, Microsoft Word and Rich Text Format (RTF). It also has connectivity to Twitter and Facebook. Perhaps the most interesting feature is its ability, in conjunction with the ebook editing and management software Calibre, to access ebooks you store in DropBox.

google imageGoogle Books
Yes, you can access thousands of free books at the Google Books site through a web browser, but the dedicated app gives you a more “ereaderly” experience. 2 colors, 7 fonts, multiple font sizes and 3 line height choices put it on par with thge other apps. The Google bookstore includes pay and free books, though you have to dig a bit for the free ones. You can  choose Flowing Text for books whose font size you can adjust, or Scanned Pages to zoom in and out of pdf file’s pages. Biggest drawback: the books are stored at Google and downloaded on the fly, so if you are not online you will not have access to them.

cloudreader imagefreebooks imageebookreader imageEbook Reader
This is a venerable (pre-iPad) product which I have mostly for its catalog of free classics, though its interface is decent, too.

FreeBooks
Another old timer. Also has a large collection of free books, the usual easy navigation, table of contents, bookmarks, etc.

Cloudreaders
This reader reads books and pdfs but is especially designed to read comics or books with right to left paging direction. If you download the neu.notes application it can also act as a pdf markup app. It does a beautiful job of rendering asian languages.

Borrowing Books from Your Local Library

overdrive iconOverdrive
Library’s have been loaning ebooks to computer users for some time now. OverDrive, a company that has been managing these types of services since 2002, now has an iPad app, Overdrive Media Console. With the app you can connect to your local library or library consortium (for example, in Vermont you add your local library to the app but once you log in it actually connects to the Green Mountain Library Consortium).
You will need the app, an Adobe.com (free) account, and your library card number. Once in, you can borrow up to 3 books at a time for 14 days (or whatever time period your library has set). At the end of that time the book will automatically go back into circulation. Like a physical library there are limited copies available–once a book is checked out it is unavailable to others–so you may have to put your name on a waiting list for popular books, but it is still a delightful approach for those books that you want to read but not necessarily own.

bluefire imageBluefire Reader
Although Bluefire is an app for accessing several bookstores, I’ve included it here because you can use it to read Adobe eBook library loan books. The bookstores include Books-A-Million, BooksOnBoard, Feedbooks as well as BookRepublic for ebooks in italian, and Todoebook for books in spanish. The library loan feature works through iTunes and your computer’s web browser, as described here. For some books you can use the iPads web browser to go directly to the library’s web site, borrow and download a book, then get the option to open the book directly in Bluefire (or several of your other ebook readers).

By the way, if you are a Vermonter you can go directly to the ebook library from your computer by going to http://www.listenupvermont.org. The site has information and links to the software you will need to download the ebooks direct to your PC or Mac, no iPad needed. Other states probably have similar sites–check with your local library.

The Textbook Readers

Textbook companies are eager to capitalize on the ebook craze. eBook textbooks can offer additional features over paper-based books. Features like increased numbers of high-quality illustrations, animations, audio, video, built-in study applications, social networking features, etc. They even offer a solution to the “problem” of used books as every sale of an ebook can be a new sale, generating revenue for the company. Publishers are still shaking out how they will offer ebooks. Right now they are deciding whether to offer books in a standardized format or offer an ereader specifically tailored to their books (and their books alone). Another experiment is to offer lifelong access to a textbook. Nature Publishing Group, publishers of many scientific journals, is experimenting with this model with its “Principles of Biology,” promising that the book will be updated from year to year to reflect the latest research. These developments are particularly interesting in light of the new legislation regarding accessibility of educational materials in conformance with Universal Design principles. Another feature that etextbooks can offer is a way to purchase single chapters instead of whole books, or a way to combine specific sections of a book into a customized coursepack.

inkling imagekno image

bookshelf app imageAt the moment I only have three textbook-specific readers installed, and only sample books to view. I have not bought any full textbooks. These include: Inkling (Apple’s iPad designed format), which features pop-up definitions, images, highlights, notes, history of what you’ve read; Kno, whose catalog contains textbooks, Kaplan self-help books and O’Reilly technical books and has some built-in social networking links that allow you to share messages with friends on Facebook or Twitter while reading, as an attempt to encourage group studying; and Bookshelf by VitalSource, though I actually have not yet experimented with this one.

Books as Apps

peter rabbit imageWhat do T.S. Eliot, Peter Rabbit, and Al Gore have in common? Dedicated reading devices, and now their branded reader apps, are built on the model of offering ebook editions of existing print-based books. Yet digital technologies offer an opportunity to expand our conception and definition of the book. The idea of “born digital” works is not new: Apple’s hypercard (1987), Eastgate Systems’ StorySpace (also 1987), even the web itself, offer ways to create books that include animation, hypertext, audio, video and interconnectedness. The three examples mentioned, designed not to be read in an ereader app but built as standalone apps themselves, explore some of those possibilities.

our choice imageChildren’s books, like the Loudcrow Interactives edition of Beatrix Potter’s Peter Rabbit, reimagine a pop-up version of the book and include “read it aloud” audio features. Building on his work on global climate change, Al Gore’s Our Choice (Push Pop Press) combines photography, in depth and interactive graphics, even documentary footage all wrapped in the narrative framework. Even more recently, Touch Press, already lauded for its Periodic Table app, The Elements, has published an iPad version of T. S. Eliot’s poem The Wasteland. The edition contains digital facsimiles of the manuscripts as Eliot developed them over time, perspectives and notes, audio recordings of several readings aligned with the text (one by Eliot himself), even a video performance.

So, your next favorite iPad ereader app may not be a reader at all but an ebook itself. Do you have a favorite reader or book/app? Have you discovered an interesting feature not described in one of the apps listed above? Let us know.

- Hope Greenberg, University of Vermont

If you have a new iPad 2 you may wonder what all the fuss was about. Now built into the device is the ability to project whatever is on the iPad screen, no special apps needed. Together with the built-in camera, this newer iPad is fast approaching the point where it might replace your laptop. Not quite yet, but it’s certainly easier to carry around.

Tip for today: need a screenshot of what’s on your iPad? Hold the “Home” key down while you press the power button. After a white flash you will find your screen shot in the Photos app. Connect to your computer to send it to iPhoto.