This post continues my thinking on the topic of a process-relational “bodymind practice” – an existential art or “technique of the self” building on Buddhist meditation practice reinterpreted and augmented through process-relational philosophy.
Tag Archive: process-relational thought
While I find much to admire in Tim Morton’s writings (and in him personally, as I’ve recently related), I’m sure he knows that his writing on what he calls “lava lampy materialism” leaves me unconvinced. (I’ve discussed that topic here, here, and elsewhere.)
I haven’t read his Realist Magic yet, so I can’t comment on the book’s arguments as a whole. But I’ve read some sections of it, including those which reiterate Morton’s critique of Whitehead’s “lava lampy” process philosophy. And, as before, I have trouble following these arguments. I would have eventually articulated a response to them, but Nathan Brown has spared me that trouble with his review (pdf warning) of Realist Magic in the latest Parrhesia.
Conversation overheard between an ambitious grad student and a simpleminded process-relational philosopher . . .
Jake Wanano-Everton: Sir, where do you draw the line between what’s real and what’s not real?
Prof. Noah Fewthings: The only things that are real are the moments of experienced reality — drops of experience, let’s call them — pulsing through the vector stream of the universe right now. There are lots and lots of them, too many to count: what you and I are experiencing right now are only two, or more accurately some, of billions and billions unfolding at this moment. And this one. And this one. They are all that’s real; and they are irreducibly real.
When people say “the universe began 14 billion years ago,” do they realize that this is not true in the slightest?
It’s not true not because they aren’t measuring things accurately. Rather, it’s not true because the standards of measurement cannot have possibly remained unchanged over such a time period.
To put it crudely, this is because View full article »
I’ve always been more of an improviser than a long-range planner, but my job requires that I occasionally dabble in long-range projections of my work. Here’s one.
While a number of concerns have framed my scholarship over the years — ethical, political, cultural, ecological, and theoretical concerns — the philosophical core of it has been solidifying around a certain conceptual machine, which I am setting to work in different contexts.
A key question for a process-relational account of a film is the question of how that film shows objects and subjects in the process of being made — how it shows subjectivation and objectivation arising together. Much of Ecologies of the Moving Image is about this, but what remains more implicit throughout the book is the way in which film itself expresses subjectivation.
I thought of this while re-watching Up the Yangtze, Yung Chang’s documentary about a “farewell cruise” on the Yangtze River before the completion of the final phase of the Three Gorges Dam.
This started out as a response to Slavoj Zizek’s recent talk here at the University of Vermont on “Buddhism Naturalized,” but evolved into a consideration of subjectivity, which happened to be the topic of my next post in the pre-G (process-relational ecosophy-G) series. So this can be considered part 1 of a 2-part series.
Now that a very busy semester has ended, I can return to the constructive speculative-metaphysical strand of this blog, in which I work out the process-relational philosophy I’ve tentatively labelled Ecosophy-G. A suitable acronym for this project might be “pre-G” (process-relational ecosophy-G), pronounced “pree-jee,” with the “pre” also indicating that the philosophy is a form of pre-articulation, a work in progress, and the “ge” referring, among other things, to the “Ge-” of geography, geophilosophy, and geode.