One of the impressive recent efforts to bring the physical sciences and the social sciences and humanities back onto “consilient” speaking terms (to use E. O. Wilson’s terminology, though his own efforts at this have been unimpressive) is Wendy Wheeler’s The Whole Creature: Complexity, Biosemiotics and the Evolution of Culture. Wheeler is a humanist, an English lit specialist whose work emerges out of the Raymond Williams tradition of British cultural studies, and her foray into biosemiotics and complexity science is highly original and ambitious. She’s an editor at British Left-political cultural studies journal New Formations , having produced special issues on complexity and ecocriticism in recent years. Complexity research has been making some waves in sociological and cultural theory circles for a while now (e.g., in Theory Culture & Society), but biosemiotics is more of a newcomer on these intellectual (humanistic/culturological) shores. The book is blurbed by leading biosemiotician Jesper Hoffmeyer, author of, among other things, Signs of Meaning in the Universe (Indiana U. Press, 1996).

While I’ve only read parts of the book (and a few outtakes in other venues) and am not qualified to comment on its use of complexity theory or biosemiotics, it’s heartening to see Donald Favareau’s very favorable extended review, “Understanding Natural Constructivism” in Semiotica, which has been a leading venue for biosemiotic research and theory for several years. I strongly recommend it both as a summary of Wheeler’s book and as an introduction to biosemiotics.

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