An oil spill is a kind of night of the living dead, in which dead organic matter that we have called from its grave rises and strangles the living.
Posts Tagged ‘ecopolitics’
How’s that drill-baby-drilly stuff workin’ out for ya? On the other hand, the violence in détournements like this one is pretty grotesque. I’m even hesitant to link to it, let alone embedding it, for fear of getting my hands too dirty. I don’t think I’d want the guy who made it (no question it’s a […]
The OTE keeps unfolding… Does that thing (between 0:11 and 0:27) know what it is swimming through?? Here’s a good collection of some of the most memorable images (but what’s that awful music?): Does Sarah McLaughlin improve things a little?
I’ve been posting links to Earth Day news in the shadow blog (which you can follow in the column to your right on the Immanence main page). The most interesting news, to my mind, was the initiative for a Universal Declaration of the Rights of Mother Earth and the calls to establish an international climate […]
Posted in EcoCulture, ImageNation, MediaSpace, tagged animism, anthropology, Avatar, cinema, ecopolitics, ecopsychology, film, Hollywood, indigenous, paganism, pantheism on February 15, 2010 | 23 Comments »
It’s been fascinating to watch the unfolding public conversation about Avatar (much of which, come to think of it, my early review had anticipated): environmentalist celebrations of how it portrays the Earth rising up against the megamachine of capitalism and patriarchy; critiques of how the film perpetuates the stereotyping of indigenous people and reiterates tropes of their salvation by white male messiah figures; the Vatican’s and religious right’s denunciations of its pantheism; the film’s advance of technological wizardry into the domain of a virtual hyperreality, like The Matrix but replacing that film’s gnosticism with a pantheistic new age science of networks and neural systems; and debates over the balance struck in the film between good spectacle (the high-tech stuff) and bad narrative (poor writing, flat characterization, stereotypes all over), or between bad spectacle (Spielbergian gee-whiz stuff) and good narrative (such as the film’s allegorization of global capitalism’s destruction of indigenous communities). Film Studies for Free has usefully summarized the various allegorical readings of the film proposed so far, many of which get articulated in conversations and comments by viewers in various blogs, op-ed commentaries, and social networking sites. [more]
Having published the results of its 12-part investigation into the leaked/hacked climate scientist e-mails at the University of East Anglia, the Guardian is now inviting “web users to annotate the manuscript to help us in our aim of creating the definitive account of the controversy.” It’s a kind of public version of peer review for […]
Today is National Coal Ash Action Day, as MountainJustice.org reminds us — see the information there on what you can do about it. Meanwhile, Climate Ground Zero reports on a fascinating case unfolding in West Virginia’s coal country, where tree sitters have halted blasting of a mountaintop by Massey Coal company. Climate justice folks have […]
Just a quick follow-up to the previous post… After the East Anglia flare-up, Paul Krugman was right to ask what fuels the rage behind climate denialism. Anyone who has perused any popular web site on environmental and climate issues will be struck both by the numbers and the utter vehemence of the denialist community. Looking […]
Asked by an old and dear friend what I make of the recent “Climategate scandal,” I thought I’d do a quick check on sources summarizing the effect of the hacked East Anglia e-mails on climate change science. To my surprise, the Wikipedia article on the topic is probably as good a place to start as […]
New York Times op-ed columnist Ross Douthat has it partly right: with its tree/Goddess-worshipping, tribal-shamanic-indigenous-hunter-gatherer-Daoist-pagan New-Age all-is-One-ism, Avatar is an expression of the longstanding American tradition of pantheist nature spirituality. Douthat thinks that that’s mainstream and that Hollywood is fully behind it, but it’s really still the insurgent religion to muscular Christianity and militarist nationalism. This is one of the rare films in which the Goddess (Mother Nature & the Natives) takes on the Capitalist War Machine and… well, you’ll have to see who wins.
But behind it all is the Spielberg factor, i.e., that the overt message (‘Man vs. Nature’, or rather high-modernist techno-capitalism vs. Body-Shop-nature-tech) is undercut by the implicit message that it is science, technology, and Hollywood magic — the Image Industry, the Spectacle — that enchants us and brings us what we really want. And they bring us new life, maybe eternal life […]