Here’s a version of the theoretical model I develop in Ecologies of the Moving Image. (An earlier version can be found here.) Following Peircian phenomenology (or “phaneroscopy”) and Whiteheadian ontology, that model is process-relational and triadic. (*See Note at bottom for more on the relationship between Peirce, Whitehead, and their leading synthesist, Hartshorne.)
Everything is three. Or, everything there is can be thought of in terms of three relational processes:
(1) The thing itself, which is a qualitatively distinctive phenomenon. Let’s call it the thing-world, since it is an unfolding of a particular kind, which sets up a formal structure of internal relations and (externally) interactive potentials as it unfolds, and since our relationship to it is generally from its ‘outside,’ though we can enter into a relationship with it.
(2) The interaction of that thing with another. Let’s call this the thing-experience, since we (or others) experience it from the ‘inside.’ This experience is what happens with us when we enter into the relationship with (1). (Other things may be happening with us simultaneously; this thing-experience doesn’t exhaust us. It’s just what we’re trying to understand here.)
(3) The relating of the thing-world and thing-experience with the whole world. To keep things simple, we can call this the thing-world/extra-thing-world relation (with the thing-experience being a subset of this whole relation, and the only piece of it that is distinctly “ours”). Or we can call it the world-earth relation, or the world-universe relation, with the ‘world’ being the thing-world and the ‘earth’ or ‘universe’ being the unencompassable ground (considered either in its earthbound or its cosmic aspect) within which all thing-worlds have their being/becoming. This relation is the full set of connections and interdependencies within which the thing has its action. To map out this relation in its entirety is impossible, but to understand the more proximal and direct parts of it is possible and useful. It is, in effect, the thing come into its fullness: both its full glory and its full dispersion into (other) things.
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