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Posts Tagged ‘affect’

I’m sure I’m not the only one following these events with excited trepidation and a feeling of almost wanting to be there (but glad also to be watching it from afar). Which makes me wonder: what is it about revolutionary moments that fires the imagination and keeps us, or me at least, plugged into them […]

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In Why Environmental Understanding, or “Framing,” Matters, published today on the Huffington Post (and on AlterNet), liberal framing guru George Lakoff provides a useful critique of a forthcoming EcoAmerica report on the framing of environmental and climate change issues. While his conclusions are perceptive and make the article a valuable read — I’ll get to […]

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BLDGBLOG‘s Geoff Manaugh raises challenging questions about Franco-Tunisian “undercover photographer” and graffiti/poster artist JR‘s exhibition of photos called The Hills Have Eyes. JR’s story is that he found a camera on a Paris subway station platform in the year 2000 and has since gone around photographing suburban ghetto rioters in Paris, impoverished and abused women […]

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One of the more oblique threads I’ve been pursuing on this blog has to do with what new media are doing to aural and musical information. Music is, of course, much more than information: it is embodied affect (in a Deleuzian sense) that carries, channels, activates, mobilizes (sets into motion), transforms, and disseminates cultural meanings […]

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There’s a wealth of material in post-marxist and poststructuralist political philosophy to be found at the After 1968 web site, which documents a series of seminars and lectures held in Maastricht over the last few years. You can find texts by Agamben, Deleuze, Badiou, Ranciere, Baudrillard, Negri, Derrida, Nancy, and others there, though it will […]

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This is a summary I provided to a grad student who was starting to get into this area. It’s very introductory and far from complete in its coverage, but since there’s so little out there on this topic, I thought it would be useful to post it. It’s also a bit biased towards literature that’s […]

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