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Posts Tagged ‘aesthetics’

Cross-posting this piece by Emil from A(s)cene. Taylor’s coral reef art is beautiful. See also the discussion of Donna Haraway’s “String Figures” lecture and Bruno Latour’s 11 theses on capitalism.   

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It will be quite an event for Peirce scholars. My proposed paper will be on applications of Peirce to film theory, and in particular the two neo- (quasi-?) Peircian approaches that I present in Ecologies of the Moving Image. The first of these builds on Sean Cubitt’s three-part typology of the image (pixel–cut–vector, which I […]

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Tim Morton writes beautifully. His “Objects as Temporary Autonomous Zones,” published in the most recent issue of Continent, is a beautiful illustration of this. I could say he writes poetically, but that would be suggesting that his writing is not itself poetry, but only looks and feels like poetry — which would mean succumbing to […]

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This is the concluding part of a three-part article. Part 1 can be found here, Part 2 here. They should be read in the sequence in which they were published.   The True, the Good, and the Beautiful All of this can be related to the triad of the True, the Good, and the Beautiful […]

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The Bill Cronon-Wisconsin Republican party tangle is making me — and many others, judging by the responses I’ve seen on academic listservs — think a little more deeply about how we use our e-mail addresses. Like many, I’m troubled by the possibility that someone could ask to see my e-mail correspondence on any old topic. […]

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I like to follow extended think-fests (such as conferences) with brief flights away from cerebrality, at least for a couple of days where possible. So following the SCMS, I visited the Santa Monica Mountains, which included a hike up La Jolla Canyon and Mugu Peak at the northern end of the range, and another up […]

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Steven Shaviro has a very nice post about Kathryn Bigelow following her Best Picture and Best Director wins at the Oscars. Shaviro celebrates her “poetics of vision” and aesthetics of “sensory immersion.” On her earlier film Point Break, he writes: “everything comes out of, and returns back to, the element of water. Bigelow shows us […]

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