Teaching my film course (especially in its current rendition as “Ecology Film Philosophy”) and the book that goes with it (Ecologies of the Moving Image, which will be publicly available in July) — and especially teaching the Andrei Tarkovsky film Stalker, which serves as a sort of template for the book — makes me feel […]
Archive for the ‘MediaSpace’ Category
Here’s what I’m slated to teach this summer, for 3 weeks beginning May 20. Ecology – Film – Philosophy
In Media Res is calling for guest curators on the theme of the representation of environmental issues in the media. The deadline (alas) is March 11. See the call here. H/t to Ecomedia Studies.
Here are my introductory comments to the 2010 documentary Waste Land, delivered yesterday at the Fleming Museum in Burlington and shown in connection with the exhibition High Trash, which runs until May 19.
On e²mc we’re thinking through the various meanings of “media ecology.” The first, chronologically, is the medium theory of Harold Innis, Marshall McLuhan, Walter Ong, and others — sometimes called the Toronto School of communication theory. Neil Postman’s “New York school” can be considered a more critical and pessimistic adjunct to this tradition. As a […]
e2mc, short for “evolving ecological media cultures,” has gone online. e2mc begins as the class blog for the University of Vermont course “Media Ecologies and Cultural Politics.” Its long-term goal is to become the online face of the UVM Ecomedia Studies Lab, which is still in development. The blog is open to anyone interested in participating, […]
The Immanence Shadow Blog — that space where I scoop up little things of interest found on the internet — has been reinvented and reloaded as scoop.it/t/immanence. You can subscribe to it here. The latest piece I’ve added is the following bit of prescient (or perhaps eternally relevant) American humor: H/t to Jon Cogburn at […]
The Wilfrid Laurier University Press page for Ecologies of the Moving Image is up, here. Their Spring catalogue, which can be downloaded here, includes two new books on Jean-Luc Godard (adding to an impressive back catalog of film titles), as well as Gary Genosko’s When Technocultures Collide, Kamboureli and Verduyn’s Critical Collaborations: Indigenity, Diaspora, and […]
Ecologies of the Moving Image is a book of ecophilosophy that happens to be about cinema, and about the 12-decade history of cinema at that. What makes it ecophilosophy? It is philosophy that is deeply informed both by an understanding of ecological science and an interdisciplinary appreciation for today’s ecological crisis. Why cinema?
The following is an article I originally wrote in 1989, or maybe 1988, after seeing three films by Ukrainian poetic cinema master Yuri Illienko (a.k.a. Iurii/Yurij/Jurij Ilyenko/Ilienko/Illyenko/Il’yenko). Two of the films — A Well for the Thirsty and Eve of Kupalo Night, or St. John’s Eve — had languished unseen under Soviet censorship for some […]