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Archive for the ‘MediaSpace’ Category

The following is reblogged, excerpted and modified, from e²mc. How do films deal with historical atrocities? And how might they enable them in the first place? The Act of Killing is Joshua Oppenheimer’s chilling documentary about the perpetrators of the mass murders committed by the Suharto regime’s paramilitary death squads in mid-1960s Indonesia. The filmmakers […]

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Cross-posting from e2mc: I’ve begun teaching a course on film and ecology and using my book Ecologies of the Moving Image as the main text. Since the topic is related to the theme of this blog, and since I’ll be creating reading guides and posting links to film clips and related materials for my students, […]

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It arrived a few days ago. Feels good to grasp in the hand: thick, solid, “capacious” (as Steven Shaviro says in one of the cover blurbs). And Tarkovsky has rarely looked as green as on the cover. But I’ve already found an indefensible oversight:

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The above is (a) beautiful, (b) ugly, (c) neither beautiful nor ugly in itself (nor anything else in particular), or (d) _________ (fill in the blank)? It’s a view (on a particularly hazy day) of the Sheffield wind power project in northeast Vermont, as seen from Crystal Lake State Park beach outside the town of […]

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It will be quite an event for Peirce scholars. My proposed paper will be on applications of Peirce to film theory, and in particular the two neo- (quasi-?) Peircian approaches that I present in Ecologies of the Moving Image. The first of these builds on Sean Cubitt’s three-part typology of the image (pixel–cut–vector, which I […]

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Ecologies of the Moving Image will be out next month. (Some seven years after I started working on it.) Here is a poster for it. Many thanks to Steven Shaviro and Sean Cubitt for their generous endorsements, which I reproduce here: “Ecologies of the Moving Image is an ambitious book, and a capacious and satisfying […]

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A key question for a process-relational account of a film is the question of how that film shows objects and subjects in the process of being made — how it shows subjectivation and objectivation arising together. Much of Ecologies of the Moving Image is about this, but what remains more implicit throughout the book is the way […]

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Teaching my film course (especially in its current rendition as “Ecology Film Philosophy”) and the book that goes with it (Ecologies of the Moving Image, which will be publicly available in July) — and especially teaching the Andrei Tarkovsky film Stalker, which serves as a sort of template for the book — makes me feel […]

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Here’s what I’m slated to teach this summer, for 3 weeks beginning May 20. Ecology – Film – Philosophy

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In Media Res is calling for guest curators on the theme of the representation of environmental issues in the media. The deadline (alas) is March 11. See the call here. H/t to Ecomedia Studies.  

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