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Archive for the ‘MediaSpace’ Category

The third edition of the Environmental Humanities Book Chat features a discussion of my Ecologies of the Moving Image. Discussants include the Royal Institute of Technology’s Anna Åberg, organizer of the “Tales from Planet Earth” film festival and conference, Seth Peabody of Harvard University (and a Rachel Carson Center fellow), and moderator Hannes Bergthaller of National Chung-Hsing University (Taiwan) and Würzburg […]

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I’ve been enjoying Under Western Skies 3: Environments, Technologies, Communities, which has featured a wonderful array of critical environmental theorists and practitioners — including among its keynotes Justice Thomas Berger (whose 1978-8 Mackenzie Valley Pipeline Inquiry Report was a classic of environmental legal innovation), the indigenous activist group Idle No More, historian and Center of the American […]

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Visiting UC Davis

I’ll be participating in the Mellon-sponsored Environments and Societies Colloquium Series next Wednesday, April 30, at the University of California Davis. My colloquium paper, entitled “On Matters of Concern: Ecology, Ontological Politics, and the Anthropo(s)cene,” is available for reading on the E & S website. (It’s a variation of a chapter for a book on “integral ecologies” […]

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This ad is making the rounds, but in case you haven’t seen it yet, here it is. It is brilliant.     As Jeff Beer puts it, the stock video footage firm Dissolve illustrates the “marketing strategy equivalent of paint-by-numbers” by putting its own goods to the words of Kendra Eash‘s brilliant McSweeney’s piece.

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The Media and Environment Scholarly Interest Group just won the prize for best attended business meeting at the Society for Cinema and Media Studies. Or so we were informed by the SCMS interest group liaison present at the meeting. This year’s SCMS featured what to my mind was by far the largest assemblage of panels and papers […]

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Ecomedia on YouTube

Reposted from e2mc: evolving ecological media cultures: I’ve begun a YouTube playlist entitled “Ecomedia,” where I’ll be sharing ecologically relevant PSAs, eco-art videos, and other works relevant to the broad and loose category encompassed by its title. Access it here. Feel free to “like” it, subscribe to it, and send suggestions to me about videos that should be […]

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Readers of this blog know that my recent book presents what’s essentially a Whiteheadian (and Peircian) theory of cinema. (A theory, not the theory. And when compared to something as deeply Whiteheadian in its details as, say, Donald Sherburne’s A Whiteheadian Aesthetic, mine is, at best, “inspired by Whitehead.”)

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  Every violent suppression of dissent is violence against the humanity that is being born. The world to come is at stake in these encounters. That’s what I tweeted last night while watching what looked like the squashing of a revolution, when riot police appeared by the thousands and began moving in on the territory […]

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50 years

A. O. Scott’s article on the Abraham Zapruder film of JFK’s assassination captures something of the 50-year transition from the first cinéma vérité president (Kennedy) to a world in which everyone is their own cinéma vérité celebrity — stars and legends in our own minds. The Zapruder film in a sense predates all that — it comes […]

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I did a double-take when a producer from BYU Radio — Brigham Young University’s faith-and-values based talk radio station, which broadcasts to millions around the world through Sirius XM satellite radio — approached me for an interview about Ecologies of the Moving Image. I presume the majority of listeners are members of the Church of […]

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Cross-posting from e2mc: I’ve begun teaching a course on film and ecology and using my book Ecologies of the Moving Image as the main text. Since the topic is related to the theme of this blog, and since I’ll be creating reading guides and posting links to film clips and related materials for my students, […]

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It will be quite an event for Peirce scholars. My proposed paper will be on applications of Peirce to film theory, and in particular the two neo- (quasi-?) Peircian approaches that I present in Ecologies of the Moving Image. The first of these builds on Sean Cubitt’s three-part typology of the image (pixel–cut–vector, which I […]

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