It’s been a while since I’ve posted anything about music here. But as I’ve gotten thinking and writing about it again, under the “ecomusicology” rubric, expect more of it on this blog. It’s a satisfying return for me (I studied music theory, composition, and performance as an undergrad and continued it semi-professionally for a little while afterward). This […]
Archive for the ‘MediaSpace’ Category
Posted in GeoPhilosophy, MediaSpace, tagged cinema, cinema studies, ecocdriticism, Ecologies of the Moving Image, EMI, film-philosophy on December 29, 2014 | Comments Off on EMI’s cinematic materialism (a response to reviews)
The latest issue of the open-access Cinema: Journal of Philosophy and the Moving Image, an issue devoted to “Gilles Deleuze and Moving Images,” includes a review by Niall Flynn of my book Ecologies of the Moving Image. Another recent review of EMI can be found in the The Journal of Ecocriticism. And I’ve mentioned the Environmental Humanities […]
A journalist asked me to say something about the use of animal mascots for commercial purposes. In an email, she wrote: “What does a brand owe an animal mascot, especially one at risk? For instance, polar bears face rapid habitat loss, yet Coke has only donated $2 million to the WWF for conservation efforts. There’s also Kellogg’s […]
I am about to travel to Asheville, North Carolina, for the Ecomusics and Ecomusicologies conference, to be held from Thursday through Monday at the University of North Carolina Asheville. The international conference, which has become an annual event (it met previously in Brisbane, Australia, and in New Orleans), brings together theorists and researchers with performers and practitioners. Panels on topics including “musical […]
This week’s theme in my “Environmental Literature, Arts, & Media” class is apocalyptic rhetoric. (I’m loosely following Greg Garrard’s list of tropes in Ecocriticism, but adding, amplifying, and amending to be more artistically inclusive.) Because it’s a fun topic (and deadly serious, too), I thought I’d post a few of the videos we’ve been watching […]
The third edition of the Environmental Humanities Book Chat features a discussion of my Ecologies of the Moving Image. Discussants include the Royal Institute of Technology’s Anna Åberg, organizer of the “Tales from Planet Earth” film festival and conference, Seth Peabody of Harvard University (and a Rachel Carson Center fellow), and moderator Hannes Bergthaller of National Chung-Hsing University (Taiwan) and Würzburg […]
I’ve been enjoying Under Western Skies 3: Environments, Technologies, Communities, which has featured a wonderful array of critical environmental theorists and practitioners — including among its keynotes Justice Thomas Berger (whose 1978-8 Mackenzie Valley Pipeline Inquiry Report was a classic of environmental legal innovation), the indigenous activist group Idle No More, historian and Center of the American […]
Posted in Anthropocene, SoundScape, tagged acoustic ecology, anomalistics, Anthropocene, global hum, Greensboro, hum, radio waves, rumble, soundscape, UFOs, Vermont, vlf on August 10, 2014 | 8 Comments »
[Note: This post has been edited slightly since it was first published, to clarify the difference between sound waves and radio waves.] Everything new under the sun begins as an anomaly; but not everything thought to be new is genuinely new. Everything new and anomalous, if studied in the right way, can be explained; but it may take years […]
I’ll be participating in the Mellon-sponsored Environments and Societies Colloquium Series next Wednesday, April 30, at the University of California Davis. My colloquium paper, entitled “On Matters of Concern: Ecology, Ontological Politics, and the Anthropo(s)cene,” is available for reading on the E & S website. (It’s a variation of a chapter for a book on “integral ecologies” […]
Cross-posting this piece by Emil from A(s)cene. Taylor’s coral reef art is beautiful. See also the discussion of Donna Haraway’s “String Figures” lecture and Bruno Latour’s 11 theses on capitalism.
This ad is making the rounds, but in case you haven’t seen it yet, here it is. It is brilliant. As Jeff Beer puts it, the stock video footage firm Dissolve illustrates the “marketing strategy equivalent of paint-by-numbers” by putting its own goods to the words of Kendra Eash‘s brilliant McSweeney’s piece.