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Archive for the ‘MediaSpace’ Category

Rice University’s Center for Energy and Environmental Research in the Human Sciences (CENHS) has made my Cultures of Energy talk available on their YouTube channel. It’s a longer version of the material I presented at the SCMS “Post-Cinema” panel. Here’s the abstract: This paper thinks through the intersections of three developments: (1) the much debated “end of cinema” […]

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One of the films that gets a lengthy treatment in my book Ecologies of the Moving Image is Werner Herzog’s Grizzly Man, about the death of Timothy Treadwell at the hands of a brown bear in Alaska. I characterized it there as a complex and nuanced film that provides a series of somewhat contradictory — but cognitively and […]

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The semester is over, the grades are submitted, the sun is shining after a beautiful heavy rain, and the trees on the streets of Burlington are in full bloom — cherry blossoms and flowering dogwoods, magnolias and crabapples (at least those are my guesses). And this song lilts the afternoon as I watch the traffic outside […]

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The video of my talk on “Speculative Ecologies of (Post)Cinema: Cinema In and Beyond the Capitalocene,” is now up on Vimeo and at Shane Denson’s web site. It is from the SCMS panel “Post-Cinema and/as Speculative Media Theory,” featuring Steven Shaviro, Patricia Pisters, and Mark Hansen. I discuss the archive, the cloud, the common, the slippery morphing image […]

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Those who missed the panel on “Post-Cinema and/as Speculative Media Theory” at last week’s Society for Cinema and Media Studies conference in Montreal will be able to view the videos of the talks at medieninitiative. Steven Shaviro, Patricia Pisters, Mark Hansen and I entertained a standing-room only crowd (see the audience spilling out into the hall here). The first […]

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My musical, intellectual, and ecocultural interests would not have evolved the way they did without Daevid Allen — beat poet, musical visionary, and psychedelic rocker who died last week at age 77. Here’s a personal account of why. In the background are the social, material, and ecological connections that I intend to examine more closely in […]

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One of my pet musicological theories is that the years 1967-74 were the most creative 7-year period in the history of musical humanity. Why those years? The social and technological revolutions of the 1960s — civil rights, the women’s movement, the counterculture and anti-Vietnam War movements, the sudden unifying singularity of television and mass (and […]

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My review of Graham Harman’s recent book Bruno Latour: Reassembling the Political, has been published online in the journal Global Discourse. It’s part of a book review symposium, which will be accompanied (in the print issue) by the author’s reply to his interlocutors. The journal has been publishing a lot on Latour’s political theory (see here). I especially […]

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It’s been a while since I’ve posted anything about music here. But as I’ve gotten thinking and writing about it again, under the “ecomusicology” rubric, expect more of it on this blog. It’s a satisfying return for me (I studied music theory, composition, and performance as an undergrad and continued it semi-professionally for a little while afterward). This […]

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A few quick reflections on the Charlie Hebdo affair… 1. In the age of social media, we are all producers of images and meanings. The difference is only a matter of degree. 2.  In a globalized world, those who traffic in media ought to have some knowledge of the cultural and ethical implications of their trafficking. 3. […]

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