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Archive for the ‘MediaSpace’ Category

We all know the media ecosystem has been changing rapidly, with media scholars scrambling to understand how and where things are headed. “Fake news” and “post-truth” are the glib catchwords of the day; “filter bubbles,” “echo chambers,” “ideological segregation,” “information cascades,” “algorithmic filtering” (along with the all-encompassing “Algoricene“), and “meme magic” are among the more, or less, […]

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I’ve written about ethical witnessing before — both in the eco-trauma chapter of Ecologies of the Moving Image and in my reflections on Joshua Oppenheimer’s The Act of Killing. Seeing Serhii Loznitsa‘s latest film, Austerlitz, at Kyiv’s Molodist Film Festival a few days ago, prompted me to think some more about how a seemingly neutral camera, […]

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At long last, Shane Denson’s and Julia Leyda’s anthology Post-Cinema: Theorizing 21st-Century Film has come out in Catherine Grant’s Reframe Books open-access series. This mammoth anthology features some of the leading theorists of our cinematic/media moment including Lev Manovich, Steven Shaviro, Richard Grusin, Vivian Sobchack, Francesco Casetti, Patricia Pisters, Mark Hansen, and many others. It includes an […]

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Rice University’s Center for Energy and Environmental Research in the Human Sciences (CENHS) has made my Cultures of Energy talk available on their YouTube channel. It’s a longer version of the material I presented at the SCMS “Post-Cinema” panel. Here’s the abstract: This paper thinks through the intersections of three developments: (1) the much debated “end of cinema” […]

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One of the films that gets a lengthy treatment in my book Ecologies of the Moving Image is Werner Herzog’s Grizzly Man, about the death of Timothy Treadwell at the hands of a brown bear in Alaska. I characterized it there as a complex and nuanced film that provides a series of somewhat contradictory — but cognitively and […]

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The video of my talk on “Speculative Ecologies of (Post)Cinema: Cinema In and Beyond the Capitalocene,” is now up on Vimeo and at Shane Denson’s web site. It is from the SCMS panel “Post-Cinema and/as Speculative Media Theory,” featuring Steven Shaviro, Patricia Pisters, and Mark Hansen. I discuss the archive, the cloud, the common, the slippery morphing image […]

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Those who missed the panel on “Post-Cinema and/as Speculative Media Theory” at last week’s Society for Cinema and Media Studies conference in Montreal will be able to view the videos of the talks at medieninitiative. Steven Shaviro, Patricia Pisters, Mark Hansen and I entertained a standing-room only crowd (see the audience spilling out into the hall here). The first […]

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My review of Graham Harman’s recent book Bruno Latour: Reassembling the Political, has been published online in the journal Global Discourse. It’s part of a book review symposium, which will be accompanied (in the print issue) by the author’s reply to his interlocutors. The journal has been publishing a lot on Latour’s political theory (see here). I especially […]

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A few quick reflections on the Charlie Hebdo affair… 1. In the age of social media, we are all producers of images and meanings. The difference is only a matter of degree. 2.  In a globalized world, those who traffic in media ought to have some knowledge of the cultural and ethical implications of their trafficking. 3. […]

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The latest issue of the open-access Cinema: Journal of Philosophy and the Moving Image, an issue devoted to “Gilles Deleuze and Moving Images,” includes a review by Niall Flynn of my book Ecologies of the Moving Image. Another recent review of EMI can be found in the The Journal of Ecocriticism. And I’ve mentioned the Environmental Humanities […]

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A journalist asked me to say something about the use of animal mascots for commercial purposes. In an email, she wrote: “What does a brand owe an animal mascot, especially one at risk? For instance, polar bears face rapid habitat loss, yet Coke has only donated $2 million to the WWF for conservation efforts. There’s also Kellogg’s […]

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This week’s theme in my “Environmental Literature, Arts, & Media” class is apocalyptic rhetoric. (I’m loosely following Greg Garrard’s list of tropes in Ecocriticism, but adding, amplifying, and amending to be more artistically inclusive.) Because it’s a fun topic (and deadly serious, too), I thought I’d post a few of the videos we’ve been watching […]

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